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Learning Ukulele with Curt

Easter Parade

Harmonic Analysis (RMA) Worksheet for the song: "Easter Parade".

Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-289

Main Category: Harmonic-Analysis Main Instrument: Any

Categories: Theory, Intervals, Progressions, RMA, Harmony

Louis-Martin/Curt-2020-FFUF

2026-08-23

Easter Parade

Harmonic Analysis (RMA) Worksheet for the song: Easter Parade.

Easter Parade

Released: 1933

Easter Parade is a popular song, written by Irving Berlin and published in 1933. Berlin originally wrote the melody in 1917, under the title "Smile and Show Your Dimple", as a "cheer up" song for a girl whose man has gone off to fight in World War I. A recording of "Smile and Show Your Dimple" by Sam Ash enjoyed modest success in 1918.

Berlin resurrected the tune, with modifications, and gave it the now-familiar Easter lyrics for the 1933 Broadway musical revue As Thousands Cheer, in which musical numbers were strung together on the thematic thread of newspaper headlines; it was first sung by Marilyn Miller and Clifton Webb. Like many of Berlin's songs, it later appeared in films. It was performed by Don Ameche in the 1938 film Alexander's Ragtime Band, which was loosely based on Irving Berlin's life. In 1942, it was featured in the musical film Holiday Inn, in which it was performed by Bing Crosby. In 1948, it was performed by Judy Garland and Fred Astaire in the musical film Easter Parade, which was constructed around the song. The song was also featured in the Rankin/Bass special The First Easter Rabbit in 1976. wikiwand

Yellow Book

Easter Parade is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

Ukulele Chords

F C7 F7 Bb Dm G7 Gm F9 Bb6 C Am C7#5

These and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.

F C7 F7 Bb Dm G7 Gm F9 Bb6 C Am C7%235

Starting Melody Note and 1st Interval

  • Easter Parade is in 4/4, Common Time and the Key of F .
  • Start on M3 ↓ m2.

Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet

||: F
C7
F
F7
Bb
Bb
I
V
I

I7
(V of IV)

IV

F: F Ionian

F Mix

1.

F
C7
F
Dm
G7
Gm
C :||
I
V
I
VI

II7
(IIV of V)

V

G Mix

2., 3.

G7 / / C7
F (Fine)
F9
F9

II7
(V of V)

V
I

I7
(V of IV)

G Mix

F MIx

Bb6
Bb6
Dm
G7
IV
II
This is the II of G7

II7
(IIV of V)

G Mix

D.C.(2nd ending) al Fine

C
/
Bb
/
C
Bb
C7
C7#5
I
IV
I
IV
V
V

The Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an A section. With a 2nd ending, a transition to a different part of the song, a B or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

  • Easter Parade is in 4/4, Common Time and the Key of F .

Harmonic Principles Used:

These are the harmonic principles used in Easter Parade.

RMA1

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.

At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor

Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues

Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6

Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

RMA book cover QS1UKES book cover

Performance Notes

Links & Resources

art by Curt Sheller

End of Lesson - Thanks, Hope You Enjoyed It!

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