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Learning Ukulele with Curt

Blue Christmas

Harmonic Analysis (RMA) Worksheet for the song: "Blue Christmas".

Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-297

Main Category: Harmonic-Analysis Main Instrument: Any

Categories: Theory, Intervals, Christmas, Progressions, RMA, Harmony

Louis-Martin/Curt-2020-FFUF

2026-08-23

Blue Christmas

Harmonic Analysis (RMA) Worksheet for the song: Blue Christmas.

Blue Christmas

Released: November 9, 1964

Blue Christmas is a Christmas song written by Billy Hayes and Jay W. Johnson and most famously recorded by Elvis Presley, although it was first recorded by Doye O'Dell in 1948. It is a tale of unrequited love during the holidays and is a longstanding staple of Christmas music, especially in the country genre.

The song was originally recorded by Doye O'Dell in 1948,[3] and was popularized the following year in three separate recordings: one by country artist Ernest Tubb, one by musical conductor and arranger Hugo Winterhalter and his orchestra and chorus, and one by bandleader Russ Morgan and his orchestra (the latter featuring lead vocals by Morgan and backing vocals by singers credited as the Morganaires).[4] Tubb's version spent the first week of January 1950 at No. 1 on Billboard magazine's Most-Played Juke Box (Country & Western) Records chart, while Winterhalter's version peaked at No. 9 on Billboard's Records Most Played by Disk Jockeys chart, and Morgan's version reached No. 11 on Billboard's Best-Selling Pop Singles chart.[5] Both Morgan's and Winterhalter's versions featured a shorter pop edit of the original lyrics. Also in 1950 crooner Billy Eckstine recorded his rendition, backed by the orchestra of Russ Case, with these shortened lyrics in a variation close to what is now the common standard for this song; the orchestral backing of this recording has often been wrongly accredited to Winterhalter. wikiwand

Yellow Book

Blue Christmas is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

Ukulele Chords

C G7 Dm Gm A7 D7 F#dim

These and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.

C G7 Dm Gm A7 D7 F%23dim

Starting Melody Note and 1st Interval

  • Blue Christmas is in d/4 and the Key of C .
  • Start on P5 ↓ P4.

Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet

Cmaj7
C
C
G7
G7
I
V

C Ionian

Dm7
Dm
G7
C*
C
II
V
I

NOTE: When there is 2 measures of the Tonic I chord. There is a lot you can do with substitutions. Even the II V leading to the I has a lot of potential for some harmonic creativity. See the Harmonic Analysis for Scale and Chord Selection book for substitution choices.

Gm7
A7+5
Dm7
1.
Gm
A7
Dm
Dm
Vm

VI7
(V of II)

II

G Dorian

A Mix-2-6

D7
D7
G7
G7 :||

II7
(V of V)

V

D Mixolydian

2.
Dm7
G7
C6
(TB: Dm7 G7 )
F#dim
G7
G7
C
C
#IVdim
V
I

D Mixolydian

TB is a II V Turnback if starting the song over. THis harmonically leads our ear to the start I chord.

The Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an A section. With a 2nd ending, a transition to a different part of the song, a B or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

  • Blue Christmas is in d/4 and the Key of C .

Harmonic Principles Used:

These are the harmonic principles used in Blue Christmas.

RMA1

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.

At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scale Names: Maj: Major, Dim: Diminished, WT: Whole Tone, Pent: Major Pentatonic,
Scale Mode Names: Ion: Ionian, Dor: Dorian, Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian, Aeol: Aeolian, Loc: Locrian

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor

Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues

Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6

Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

RMA book cover QS1UKES book cover

Performance Notes

Any performance that includes a section of NOT playing the melody would probably be a phrased melody as a solo. Think of it as create a long lost melody that nobody new existed.

Links & Resources

art by Curt Sheller

End of Lesson - Thanks, Hope You Enjoyed It!

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