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Learning Ukulele with Curt

Cabaret

Harmonic Analysis (RMA) Worksheet for the song: "Cabaret".

Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-44

Main Category: Harmonic-Analysis Main Instrument: Any

Categories: Theory, Intervals, Progressions, RMA, Harmony

Louis-Martin/Curt-2020-FFUF

2026-08-23

Cabaret

Harmonic Analysis (RMA) Worksheet for the song: Cabaret.

Cabaret

Released: Earliest Recoding: Louis Armstrong: 1966

Cabaret is the title song of the 1966 musical of the same name, sung by the character Sally Bowles. It was composed by John Kander, with lyrics by Fred Ebb.

In the musical, the song is performed by the character Sally Bowles in a night club setting in Weimar Germany in 1931. Her lover has told her that he is taking her back to America so that they can raise their baby together in safety. Sally protests as she thinks their life in Berlin is wonderful and she states politics have nothing to do with them or their affairs. After a heated row, Sally goes on stage singing “Cabaret” (“life is a cabaret, old chum”), thus confirming her decision to live in carefree ignorance of the impending problems in Germany. wikiwand

Yellow Book

Cabaret is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

Ukulele Chords

C G7 C7 F F#dim Em7 A7 Dm Fm Am D7 Em

These and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.

C G7 C7 F F%23dim Em7 A7 Dm Fm Am D7 Em

Starting Melody Note and 1st Interval

  • Cabaret is in 4/4, Common Time and the Key of C . The Lisa Minnelli version of Cabaret is in the Key of F , Tempo: 109 bpm
  • Start on Root ↓ ↑ m3. Original in the Key of C , Tempo 121 bmp.
  • ULHA-YB-44-Melody-TAB

    C Tuning, Low or High G

Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet

C6
G7+5
C6
Dm7
G7
C
G7
C
G7
I
V
I
V

C: C: Ionian

G Mix+5, WT

C6
Gm7
C
C
C
C7
I

I7
(V of IV)

C Mix

Fmaj7
F#dim7
Em7/G
A7
F
F#dim
Em7
A7
IV
#IVdim
III

VI7
(V of II)

F# Diminished

A Mix-2-6

1., 3.

Dm7
G7
C6
A7b9/C#
Dm7
G7
Dm
G7
C
V :||
II
V
I
V

2.

C6
Fm6
C6
Fm6
C
C
Fm
Fm
I
IVm

F Aeolian: F G Ab Bb C D Eb F

The Aeolian scale addresses the Ab melody in the song.

C6
Am
AmL7
Am7
Am6
C
C
Am
D7
I
The II of the D7 ⇒

II7
(V of V)

D Mix

A Secondary Dominant can always be preceded by its II chord.

The Re-Harmonization shown in Red, Am AmL7 Am7 Am6 is Am Am/G# Am/G Am/F#, the famous Minor Line Cliche. The Root Movement is for the chordal players and Bass player.

To Coda

G7
G7
V

Coda

*Cmaj7
A7b9/C#
Dm7
G7
Em
A7
Dm
G7
C
C
The II of the A7 ⇒

VI7
(V of II)

II
V
I
VI7
II
V

A Mix-2-6

* Optional Turnaround Chords

Alternate, Jazzy Coda

Em7
Eb13
Dm7
Db13
Cmaj7
A7b9/C#
Dm7
Db13
III
bIII
II
bII
I
VI7
II
bII

The Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an A section. With a 2nd ending, a transition to a different part of the song, a B or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

  • Cabaret is in 4/4, Common Time and the Key of C . The Lisa Minnelli version of Cabaret is in the Key of F , Tempo: 109 bpm

Harmonic Principles Used:

These are the harmonic principles used in Cabaret.

RMA1

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.

At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor

Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues

Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6

Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

RMA book cover QS1UKES book cover

Performance Notes

Song Form:

A A B A

The LearningUkulele.com PremiumPremium Playlong Track has Cabaret as part of a Broadway show medley, Hello Dolly, Mame, and Cabaret.

Links & Resources

art by Curt Sheller

End of Lesson - Thanks, Hope You Enjoyed It!

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