Lullabye of Birdland is a jazz standard and popular song composed by George Shearing with lyrics by George David Weiss (under the pseudonym "B. Y. Forster").

George Shearing wrote "Lullaby of Birdland" in 1952 for Morris Levy, the owner of the New York jazz club Birdland. Levy had gotten in touch with Shearing and explained that he'd started a regular Birdland-sponsored disk jockey show, and he wanted Shearing to record a theme which was "to be played every hour on the hour." Levy originally wanted his own music to be recorded, but Shearing insisted he couldn't relate very well with it and wanted to compose his own music. They compromised by sharing the rights of the song; the composer's rights went to Shearing, and the publishing rights went to Levy.

Shearing stated in his autobiography that he had composed "the whole thing [...] within ten minutes." The chord changes were from Walter Donaldson's "Love me or Leave Me." wikiwand

Lullabye of Birdland is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Ukulele Chords

Fm7 G7 C7 Bbm7 Bbm7 Eb7 Abmaj7 Dbmaj7 Bbm7

These and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.

Starting Melody Note and 1st Interval

Lullabye of Birdland is in 4/4, Common Time and the Key of Ab .
Start on P5 ↓ M2.

Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet

A re-harmonization, in Red can be a simple, sticking pretty close to the original composer's intentions or complex and a whole new set of chord changes.

Fm7

Dm7b5

G7b9

C7#5

Fm7

Bbm9

Eb7b9

Bbm7

Eb7

II7
(V of V)

Fm:

Ab:

Dm7b5 is the II V of V Secondary Dominant G7

Abmaj7

Fm7

Bbm7

Eb7b9

Abmaj7

Db7

C7#5

Abmaj7

Fm7

Bbm7

Eb7b9

Abmaj7

Db7

C7#5

IV7

Fm:

Abmaj7

Eb7

Abmaj7

Eb7

Abmaj7

F7b9

Bbm7

Eb7b9

Abmaj7

Bbm7

Eb7

Abmaj7

VI7
(V of II)

Ab:

F7b9

Bbm7

Eb7b9

Abmaj7

C7b9

Bbm7

Eb7

Abmaj7

VI7
(V of II)

Fm:

Lullabye of Birdland is a classic song form. Repeat the section and end on the I chord. For a realy cool ending chord make is a m6/9 .

The Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an section. With a 2nd ending, a transition to a different part of the song, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

Lullabye of Birdland is in 4/4, Common Time and the Key of Ab .

Harmonic Principles Used:

These are the harmonic principles used in Lullabye of Birdland.

Full Diatonic
Partial Diatonic • Full Diatonic includes Secondary Dominant chords

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.

At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor

Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues

Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian