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Learning Ukulele with Curt
Mele Kalikimaka
Harmonic Analysis (RMA) Worksheet for the song: "Mele Kalikimaka"
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-307
Main Category: Harmonic-Analysis Main Instrument: Ukulele
Categories: Theory, Intervals, Progressions, RMA, Harmony
2026-08-23
RelatedLessonAssets
Harmonic Analysis (RMA) Worksheet for the song: Mele Kalikimaka.
Mele Kalikimaka
Released: 1950
Mele Kalikimaka (pronounced [ˈmɛlɛ kəˌlikiˈmɐkə]) is a Hawaiian-themed Christmas song written in 1949 by R. Alex Anderson. The song takes its title from the Hawaiian phrase Mele Kalikimaka, meaning "Merry Christmas". One of the earliest recordings of this song was by Bing Crosby and the Andrews Sisters in 1950 on Decca. It has been covered by many artists and used in several films (including L.A. Confidential, Catch Me If You Can, and National Lampoon's Christmas Vacation).
The expression Mele Kalikimaka is a loan phrase from English. But since the Hawaiian language has a different phonological system from English, it is not possible to render a pronunciation that is especially close to Merry Christmas. Standard Hawaiian does not have the /r/ or /s/ sounds of English and its phonotactic constraints do not permit consonants at the end of syllables or consonant clusters. Thus the closest approximation to Merry Christmas is Mele Kalikimaka.[6] The earliest record of the greeting, Mele Kalikimaka, in print is from 1904, in the Hawaiian language newspaper Ka Nupepa Kuokoa, published between 1861 and 1927. wikiwand
Mele Kalikimaka is in the The Daily Ukulele — 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
These and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.
Starting Melody Note and 1st Interval
Mele Kalikimaka is in 4/4, Common Time and the Key of F .- Start on Root ↑ P5 ↓ m2.
Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet
Ab Diminished
F Mixolydian
D Mixolydian
G Mixolydian
Optional Chromatic Approach single beat chord on beat four.
D Mixolydian
G Locrian for a II V, Picary Third to I. In this case the G7 is a major chord type.
G Mixolydian
The V can be used as a Turnback to the top.
The Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an 
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
Reference Key
This is the key of the source leadsheet.
Mele Kalikimaka is in 4/4, Common Time and the Key of F .
Harmonic Principles Used:
These are the harmonic principles used in Mele Kalikimaka.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.
At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
Check the definitive book Nashville Number System
Scale Selection
Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scale Names:
Maj: Major,
Dim: Diminished,
WT: Whole Tone,
Pent: Major Pentatonic,
Scale Mode Names:
Ion: Ionian,
Dor: Dorian,
Phrygian: Phrygian,
Lyd: Lydian,
Mix: Mixolydian,
Aeol: Aeolian,
Loc: Locrian
Scale Abbreviation Legend
Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6
Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
End of Lesson - Thanks, Hope You Enjoyed It!
Related Lessons, Videos, Lesson Series, Songs, Books & Reference Charts, Resources & Assets, Workshops are below.
A Guide to Ukulele Strums
Learn a variety of strums and rhythmic patterns in wide range of musical styles. One of the first skills a ukulele player learns is the art and craft of strumming, playing rhythm. This refers to an accompaniment technique suitable for the singer, singer - songwriter or someone who plays a support role for another instrument.
Harmonic Analysis for Scale Selection and Chord Substitution
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.
The Daily Ukulele
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Harmonic Analysis for Scale and Chord Selection
Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.
