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Learning Ukulele with Curt
Rocky Top
Harmonic Analysis (RMA) Worksheet for the song: "Rocky Top". An American country and bluegrass song written by Felice and Boudleaux Bryant in 1967 and first recorded by the Osborne Brothers later that same year.
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-199
Main Category: Harmonic-Analysis Main Instrument: Ukulele
Categories: Theory, Intervals, Progressions, RMA, Harmony
2026-08-23
RelatedLessonAssets
Harmonic Analysis (RMA) Worksheet for the song: Rocky Top.
Rocky Top
Released: April 1970
Rocky Top is an American country and bluegrass song written by Felice and Boudleaux Bryant in 1967 and first recorded by the Osborne Brothers later that same year. The song, which is a city dweller's lamentation over the loss of a simpler and freer existence in the hills of Tennessee, is one of Tennessee's ten official state songs and has been recorded by dozens of artists from multiple musical genres worldwide since its publication. In U.S. college athletics, "Rocky Top" is associated with the Tennessee Volunteers of the University of Tennessee (UT), whose Pride of the Southland Band has played a marching band version of the song at the school's sporting events since the early 1970s.
Rocky Top is in the The Daily Ukulele — 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
These and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.
Starting Melody Note and 1st Interval
Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet
VERSE
I
IV
I
VI
V
I
C Major/Ionian or C Major Pentatonic: C D E G A C`, fitting into the style of the song that Rock Top is typically performed.
Line 1, above is repeated 4 times for the verse.
CHORUS
VI
V
IV
I
I
I
The Chorus (above) almost seems like it modulates to a minor tonality with the Bb as a borrowed chord. However for scale selection all the chords of this song are all chords from a C Major Pentatonic scale and that is the analysis that is used.The C Major Pentatonic scale, or C Pentatonic for short, can be used over all the chords with added notes, the chord tones from the chords.
The Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an 
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.
At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
Check the definitive book Nashville Number System
Scale Selection
Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
C Pentatonic
The C Major Pentatonic or C Pentatonic for a scale is a great choice with ALL the chords in this song coming straight out of the scale.
- C Pentatonic: C Dm Em F G,G7 Am Bb
Scale Abbreviation Legend
Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6
Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
Performance Notes
I (Curt) like to do this in the Key of G . The chords would be:
- (Verse) G C G Em D7 G
- (Chorus) Em D F C G ||: G F G :||
End of Lesson - Thanks, Hope You Enjoyed It!
Related Lessons, Videos, Lesson Series, Songs, Books & Reference Charts, Resources & Assets, Workshops are below.
A Guide to Ukulele Strums
Learn a variety of strums and rhythmic patterns in wide range of musical styles. One of the first skills a ukulele player learns is the art and craft of strumming, playing rhythm. This refers to an accompaniment technique suitable for the singer, singer - songwriter or someone who plays a support role for another instrument.
Harmonic Analysis for Scale Selection and Chord Substitution
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.
The Daily Ukulele
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Harmonic Analysis for Scale and Chord Selection
Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.
